º» »óÇ°Àº Â÷¼¼´ë ¹Ìµð¾î ºí·ç·¹ÀÌ µð½ºÅ©ÀÔ´Ï´Ù. ±âÁ¸ÀÇ DVD-Player¿¡¼´Â Àç»ýÀÌ µÇÁö ¾ÊÀ¸¸ç, Àü¿ë Ç÷¹À̾¼¸¸ Àç»ýµÇ¿À´Ï ÀÌ¿ë¿¡ Âü°íÇØ ÁֽʽÿÀ.
Àü¼¼°è À¯ÀÏ Package ÇÁ·¹½ºÆ¼Áö ÄÝ·º¼Ç: ºí·¢°ú ÈÀÌÆ®ÀÇ Àý¹¦ÇÑ Á¶È¸¦ º¸ÀÌ´Â »õ·Î¿î ÄÉÀ̽º·Î ¸¸³ª´Â <ÆÛ½ÃÇȸ²>!!*** ÇÑÁ¤ ¼ö·® ÆǸÅ(¸¶Áö¸· ±âȸ~~) ***
¡á Issue Point¢º Àü¼¼°è À¯ÀÏ Package ÇÁ·¹½ºÆ¼Áö ÄÝ·º¼Ç: ºí·¢°ú ÈÀÌÆ®ÀÇ Àý¹¦ÇÑ Á¶È¸¦ º¸ÀÌ´Â »õ·Î¿î ÄÉÀ̽º·Î ¸¸³ª´Â <ÆÛ½ÃÇȸ²>!!¢º ÃÊ °Å´ë ·Îº¿ µîÀå, »ç»ó ÃÊÀ¯ÀÇ ¸Þ°¡Åæ±Þ ´ë°á! ¿Ü°è¸ó½ºÅÍ VS °Å´ë ·Îº¿: »ç¶÷µéÀº º¸Åë ¿Ü°è»ý¸íü´Â Àú ÇÏ´Ã ³Ê¸Ó ¿ìÁÖ¿¡ Á¸ÀçÇÒ °ÍÀ̶ó »ý°¢ÇÏ´Â °íÁ¤°ü³äÀ» ±ú°í ÅÂÆò¾ç ÇØÀúÀÇ ±Õ¿¿¡¼ µîÀåÇÑ´Ù. ¿¹°Å´Â 25Ãþ ºôµù ³ôÀÌÀÇ °Å´ë ·Îº¿ÀÌ°í, Ä«ÀÌÁÖ´Â µî±Þ¿¡ µû¶ó ±× Å©±âµµ °Å´ëÇØÁø´Ù ¢º¼¼°è ÃÖ´ë ±Ô¸ð ¼¼Æ®ÀÎ 'Åä·ÐÅä ÆÄÀοìµå ½ºÆ©µð¿À'¿¡¼ ÃÔ¿µ: ÄÜÆ÷µå¶ó°í ºÒ¸®´Â ¼¼Æ®´Â °Å´ëÇÑ Áü¹ú ÀåÄ¡ À§¿¡ Á¦À۵ưí, ±× À§¿¡¼ ·¹°Å½Ã ÀÌÆåÆ®°¡ Á¦ÀÛÇÑ Æ¯¼ö ½´Æ®¸¦ °®Ãç ÀÔÀº ¹è¿ìµéÀÌ ½Ç°¨³ ¾×¼Ç ¿¬±â¸¦ ÆîÃÆ´Ù.¢º À̺¸´Ù µ¶Ã¢ÀûÀÏ ¼ö ¾ø´Ù! ±æ¿¹¸£¸ð µ¨ Åä·Î °¨µ¶: <ÇﺸÀÌ>, <ºí·¹À̵å>, <ÆÇÀÇ ¹Ì·Î>, <¸¶¸¶> µî ÆÇŸÁö, ½º¸±·¯, SF, È£·¯¸¦ ³Ñ³ªµé¸ç µ¶Ã¢ÀûÀÌ¸ç µ¶º¸ÀûÀÎ ÀÛÇ° ¼¼°è¸¦ ÀÎÁ¤ ¹ÞÀº ¼¼°èÀûÀÎ °¨µ¶À¸·Î ¿äÁòÀº <È£ºø> 3ºÎÀÛÀÇ °øµ¿°¢º» ÀÛ¾÷¿¡ Âü¿© ÁßÀÌ´Ù. °¨È÷ »ó»óÇÒ ¼ö ¾ø´Â »ó»ó·ÂÀÇ ¼ÒÀ¯ÀÚÀÎ ±×ÀÇ ¾ß½ÉÀÛÀÌÀÚ ÃÊƯ±Þ ÇÁ·ÎÁ§Æ®!.¢º ½ºÆä¼È ÇÇÃÄ Áß¿¡¼ °¡Àå Ư¡ÀûÀÎ °Í Áß Çϳª´Â "The Director's Notebook"´Ù. ÀÌ ½ºÆä¼È ÇÇÃÄ´Â ÆÛ½ÃÇÈ ¸²À» Á¦ÀÛÇϱâ À§ÇØ °¨µ¶ ±æ¿¹¸£¸ð µ¨ Åä·Î°¡ ¿©·¯ °¡Áö ÄÁ¼ÁÀ» ±â·ÏÇÑ °ÍÀ¸·Î ¿Ü±¹¿¡¼´Â À̰͸¸ µû·Î Ã¥À» ¸¸µé¾î Æȱ⵵ ÇÑ´Ù. ÀÎÅÍ·¢Æ¼ºê ¼±ÅÃȸéÀ¸·Î ¸¸µé¾îÁ® ÀÖÀ¸¸ç, ÀÎÅÍ·¢Æ¼ºê ȸéÀ» ¼±ÅÃÇϸé Çѱ۷Π°£´ÜÇÑ ¹ø¿ªÀÌ ³ª¿Í ÀÖ´Ù.¢º µ¶Æ¯ÇÑ Ä«ÀÌÁÖÀÇ µðÀÚÀÎ: ÃÖ°íÀÇ ÄÁ¼Á ¾ÆƼ½ºÆ®, ÀÏ·¯½ºÆ®·¹ÀÌÅÍ, Á¶°¢°¡, µðÀÚÀ̳ʸ¦ ¸ð¾Æ ¿µÈ¿¡ µîÀåÇÒ ¼ö ÀÖ´Â ±«¹°ÀÇ ¿Â°® Å©±â, ÇüÅÂ, »ö±òºÎÅÍ Ä¿´Ù¶õ »ý¹°ÀÇ ¿òÁ÷ÀÓ°ú ½Î¿ò±îÁö ¸ðµç °ÍÀ» °°ÀÌ °í¹ÎÇÏ°í ¸¸µé¾ú´Ù. ¢º ºí·ç·¹ÀÌ¿¡¼¸¸ º¼ ¼ö ÀÖ´Â ½ºÆä¼È ÇÇÃÄ ¼ö·Ï!¡á ÁٰŸ®¿ª»ç»ó À̺¸´Ù °Å´ëÇÑ ÀüÀïÀº ¾ø¾ú´Ù. ±«¹°°ú ½Î¿ì±â À§ÇØ ¶Ç´Ù¸¥ ±«¹°À» ¸¸µé¾ú´Ù.2025³â ÀϺ» ÅÂÆò¾ç ¿¬¾ÈÀÇ ½ÉÇØ¿¡ Ä¿´Ù¶õ ±Õ¿ÀÌ ÀϾÙ. Á¤Ã¼¸¦ ¾Ë ¼ö ¾ø¾ú´ø ÀÌ °÷Àº Áö±¸¿Í ¿ìÁÖ¸¦ ¿¬°áÇÏ´Â Æ÷Å»À̾ú°í ¿©±â¼ ¾öû³ Å©±âÀÇ ¿Ü°è±«¹° 'Ä«ÀÌÁÖ(kaiju)'°¡ ³ªÅ¸³´Ù. ÀϺ» Àü¿ªÀ» ½ÃÀÛÀ¸·Î ¹Ì±¹, Áß±¹, ·¯½Ã¾Æ, È£ÁÖ µî Áö±¸ °÷°÷À» Æı«ÇÏ¿© ÃÊÅäȽÃÅ°´Â Ä«ÀÌÁÖÀÇ °ø°Ý¿¡ Àü ¼¼°è°¡ È¥µ·¿¡ ºüÁø´Ù. Àü Áö±¸ÀûÀÎ ºñ»ó»çÅ µ¹ÀÔ¿¡ ¼¼°è °¢±¹ÀÇ Á¤»óµéÀº Àηù ÃÖ´ëÀÇ À§±â¿¡ ¸Â¼±â À§ÇÑ Áö±¸ ¿¬ÇÕ±ºÀÎ '¹üÅÂÆò¾ç¿¬ÇÕ¹æ¾î±º'À» °á¼º, °¢±¹À» ´ëÇ¥ÇÏ´Â ¸Þ°¡Åæ±Þ ÃÊ´ëÇü ·Îº¿ '¿¹°Å(Jaeger)'¸¦ âÁ¶ÇÑ´Ù.»ó»óÀ» ÃÊ¿ùÇÏ´Â ½´ÆÛ ÆÄ¿ö, ³úÆĸ¦ ÅëÇØ ÆÄÀÏ·µÀÇ µ¿ÀÛÀ» ÀνÄÇÏ´Â ½Å°³³ä Á¶Á¾½Ã½ºÅÛÀ» ÀåÂøÇÑ ¿¹°Å¸¦ Á¶Á¤ÇÒ ¼¼°è ÃÖÁ¤¿¹ ÆÄÀÏ·µµéÀ» ¼±ÃâÇØ ±«¹°µé¿¡°Ô ¹Ý°ÝÇϱâ À§ÇÑ »ç»ó ÃÊÀ¯ÀÇ ´ë°áÀÌ ÆîÃÄÁø´Ù.
Àü¼¼°è À¯ÀÏ Package ÇÁ·¹½ºÆ¼Áö ÄÝ·º¼Ç: ºí·¢°ú ÈÀÌÆ®ÀÇ Àý¹¦ÇÑ Á¶È¸¦ º¸ÀÌ´Â »õ·Î¿î ÄÉÀ̽º·Î ¸¸³ª´Â ´ÙÅ©³ªÀÌÆ®¶óÀÌÁî
Synopsis
¡á Issue Point¢º Àü¼¼°è À¯ÀÏ ÇÁ·¹½ºÆ¼Áö ÄÝ·º¼Ç: ºí·¢°ú ÈÀÌÆ®ÀÇ Àý¹¦ÇÑ Á¶È¸¦ º¸ÀÌ´Â »õ·Î¿î ÄÉÀ̽º·Î ¸¸³ª´Â ´ÙÅ©³ªÀÌÆ®¶óÀÌÁ ÀÏÂïºÎÅÍ 2012³â 3´ë ±â´ëÀÛÀ¸·Î ²ÅÇû´ø ¿µÈ!: 2012½ÃÁð Àüü¸¦ ÅëƲ¾î °¡Àå Å« ÈÁ¦¸¦ ¸ðÀº ÀÛÇ°!¢º ½ÇÃø¸ðÇüÀ¸·Î Á¦ÀÛµÈ ¹èÆ®¸ÇÀÇ ºñÇà À̵¿ ¼ö´ÜÀÎ '´õ ¹èÆ®', 'ÅÒºí·¯' µîÀ» ºñ·ÔÇÑ ´õ¿í ¾÷±×·¹ÀÌµç µÈ ½Å¹«±â¢º »ó»óÀ» ÃÊ¿ùÇÏ´Â ºñÇà±â ÇÏÀÌÀçÅ· Àå¸é, Â÷·Ê·Î ¹«³ÊÁö´Â Çö¼ö±³¿Í ¹Ì½ÄÃ౸ °æ±âÀåÀÇ ºØ±«, 1000¿©¸íÀÇ ¿¢½ºÆ®¶ó°¡ µ¿¿øµÈ °í´ã½Ã µµ½É¿¡¼ÀÇ Áý´Ü °ÝÅõ µîÀÇ ÃÊ´ëÇü ½ºÄÉÀÏ: ¸ðÇüÀÌ ¾Æ´Ñ ½ÇÁ¦·Î ¹Ì½ÄÃ౸ °æ±âÀåÀ» ÆøÆÄ¢º ÀμÁ¼Ç°ú ´ÙÅ©³ªÀÌÆ®¿¡¼µµ À½¾ÇÀ» ¸Ã¾Ò´ø Çѽº Áü¸ÓÀÇ À½¾ÇÀ¸·Î ´õ¿í ¿õÀåÇÑ ½ºÄÉÀÏÀ» ÀÚ¶ûÇÑ´Ù.¢º ºí·ç·¹ÀÌ¿¡¸¸ »ðÀÔµÈ ´ÙÅ©³ªÀÌÆ®¶óÀÌÁî ¾Û: ´ÙÅ©³ªÀÌÆ®¶óÀÌÁî ÀÌ ¾ÆÀÌÆù, ¾ÆÀÌÆеå, °¶·°½Ã S2, S3, ³ëÆ®, ³Ø¼½º, °¶·°½Ã ÅÇ¿ëÀ¸·Î Ãâ½ÃµÇ¾î, ¾ÆÀÌƪÁî¿Í ±¸±Û Ç÷¹ÀÌ¿¡¼ ¹«·á·Î ´Ù¿î¹ÞÀ» ¼ö ÀÖ´Ù. 10¿ù ¸» ù¹ø° ¾÷µ¥ÀÌÆ®°¡ µÇ¸é, Èï¹Ì·Î¿î Æ÷Åä ¹× ºñµð¿À ¾ÖÇø®ÄÉÀÌ¼Ç ±â´ÉÀÌ Ãß°¡µÇ¸ç, 11¿ù 28ÀÏ ÀÌÈÄ ÁøÇàµÇ´Â µÎ¹ø° ¾÷µ¥ÀÌÆ®¿¡¼´Â ºí·ç·¹ÀÌ µð½ºÅ©¿Í ½ÌÅ©µÇ¾î¼, ³×Æ®¿öÅ©¿¡ ¿¬°áµÇ´Â ºí·ç·¹ÀÌ Ç÷¹À̾¼ ¸ð¹ÙÀÏ ±â±â·Î Ưº°ÇÑ º¸³Ê½º ÄÁÅÙÃ÷-°í´ã ½ÃƼ Áöµµ, ¿µÈ °ü·Ã ÄûÁî, Æ÷Åä °¶·¯¸®, ¸ÞÀÌÅ· Çʸ§-¿¡ Á¢±ÙÇÒ ¼ö ÀְԵȴÙ. ÀÌ ¾ÛÀ» ÀÌ¿ëÇؼ ºí·ç·¹ÀÌ µð½ºÅ©ÀÇ Ç÷¹À̸¦ Á¶ÀýÇÒ ¼öµµ ÀÖ´Ù.¡á ÁٰŸ®¹èÆ®¸Ç' vs. 'º£ÀÎ', ¿î¸íÀ» °Ç ÃÖÈÄÀÇ ÀüÅõ ´ÙÅ© ³ªÀÌÆ® ½ÅÈÀÇ Àü¼³ÀÌ ³¡³´Ù. ¹èÆ®¸ÇÀÌ Á¶Ä¿¿ÍÀÇ ´ë°áÀ» ³¡À¸·Î ¼¼»ó¿¡¼ ¸ð½ÀÀ» °¨Ãá 8³â ÈÄ, ÇϺñ µ§Æ®ÀÇ Á×À½¿¡ ´ëÇÑ Ã¥ÀÓÀ» ¶°¾ÈÀº ¹èÆ®¸ÇÀº ¸ðµç °ÍÀ» Èñ»ýÇÏ¸ç ¶°³ª°í.. ¹üÁ˹æÁö µ§Æ®¹ýÀ¸·Î ÀÎÇØ Çѵ¿¾È ÆòÈ°¡ Áö¼ÓµÇ´ø °í´ã½ÃÀÇ ÆĸêÀ» ¿¹°íÇÏ¸ç ³ªÅ¸³ ¸¶½ºÅ©¸¦ ¾´ ÀÜÀÎÇÑ ¾Ç´ç, ÃÖ°ÀÇ Àû º£ÀÎÀÌ µîÀåÇÑ´Ù. º£ÀÎÀº ¹èÆ®¸ÇÀÌ ½º½º·Î ÅÃÇÑ À¯¹è »ýÈ°¿¡ Á¾ÁöºÎ¸¦ Âï°Ô ÇÏÁö¸¸, ´Ù½Ã µ¹¾Æ¿Â ¹èÆ®¸Ç¿¡°Ô º£ÀÎÀº ¸¸¸¸ÇÑ »ó´ë°¡ ¾Æ´Ï´Ù. ÀÚ½ÅÀ» °ÅºÎÇÑ »ç¶÷µéÀÇ °íÅëÀ» ÁöÄѺ¼ °ÍÀΰ¡, Á¤ÀÇÀÇ ¼öÈ£ÀÚ·Î ³ª¼³ °ÍÀΰ¡. ¹èÆ®¸ÇÀº ½ÂÆи¦ ¾Ë ¼ö ¾ø´Â ¸¶Áö¸· ÀüÅõ¸¦ ½ÃÀÛÇÑ´Ù.
Special Features
¡á Disc 1 - Second Screen ## Sync with The Dark Knight Rises app for exclusive content - (Up to 18 minutes of hidden "Flickable" content on disc 1)¡á Disc 2- "THE BATMOBILE" DOCUMENTARY: 5´ëÀÇ ¹èÆ®¸ð¹ÙÀÏÀ» ÇѲ¨¹ø¿¡ º¼ ¼ö ÀÖ´Â ½ºÆä¼È ÇÇÃÄ. ¹èÆ®¸ÇÀÇ º´±âÀÇ ¸ðµç ¸é¿¡ ´ëÇÑ ¼¼¼¼ÇÑ ¸®Æ÷Æ® ¹× ±× ź»ý°ú ÁøÈÀÇ À̾߱â. (The Batmobile ## Witness all five Batmobiles together for the first time in history. Dive deep into every aspects of the most awe-inspirinnacle of technology as the most awe-inspiring weapon in Birth and evolution of this technological marvel and cultural icon.) (60:05) ENDING THE KNIGHT (Production + Characters + Reflections): Å©¸®½ºÅäÆÛ ³î¶õ °¨µ¶°ú ±×ÀÇ Á¦ÀÛÆÀÀÌ ¾î¶»°Ô ´ÙÅ©³ªÀÌÆ® ½Ã¸®ÁîÀÇ Á¾°áÆíÀÎ "´ÙÅ©³ªÀÌÆ®¶óÀÌÁî"¸¦ ¸¸µé°Ô µÇ¾ú´ÂÁö¿¡ ´ëÇÑ ½ºÆä¼È ÇÇÃÄProduction - The Prologue: High-Altitude Hijacking- Production - Ending t he Knight ## See how Christopher Nolan and his filmmaking team staged the film's high-flying opening sequence featuring footage from the aerial and model units. (07:48) - Return to the Batcave- Production - Ending the Knight ## Witness the reconstruction of the Batcave with time-lapse photography along with interviews and commentary from the construction crew and filmmakers. (03:33) - Beneath Gotham- Production - Ending the Knight ## Director Christopher Nolan and the production designers discuss the design and build of Bane's lair. (02:29) - The Bat - Production - Ending the Knight ## Director Christopher Nolan gives Batman a new mode of transportation in The Dark Knight Rises. Learn what went into the design and construction of the Dark Knight's new vehicle and how a combination of special effects, visual effects, and sound engineering were used to realistically sell the illus. (11:03) - Batman vs Bane - Production - Ending the Knight ## The filmmakers and actors reveal how they planned and shot t he epic fight sequence between Batman and Bane. (06:05) - Armory Accepted - Production - Ending the Knight ## See how special effects and a miniature unit were used to simulate the demolition drop of the Tumbler through the ceiling of Bane's lair. (03:15) - Gameday Destruction - Production - Ending the Knight ## The filmmakers describe the production plan that went into executing the jaw-dropping demolition sequence at Gotham Stadium. (06:39) - Demolishing a City Street - Production - Ending the Knight ## Learn how a series of practical special effects were used to simulate the complete destruction of a city street. (04:11) - The Pit - Production - Ending the Knight ## The filmmakers explain the design and construction of two giant, vertical sets: the underground prison and the well, where all the climbing stunts were performed. (03:00) - The Chant - Production - Ending the Knight ## Christopher Nolan and Hans Zimmer discuss the creation of the chant that formed the basis of the score's Bane suites. (05:15) - The War on Wall Street - Production - Ending the Knight ## Get a glimpse behind the coordination and production of the epic battle for Gotham City that involved a thousand extra s engaged in hand-to-hand combat on New York City's Wall Street.. (06:36) - Race to the Reactor - Production - Ending the Knight ## Watch how the filmmakers orchestrated the film's climactic chase sequence with multiple Tumblers, the Batpod, and the hi gh-flying Bat racing down the streets of Pittsburgh and Los Angeles. (07:48) Characters - The Journey of Bruce Wayne - Character - Ending the Knight ## Get insight into story and thematic choices that structured the final chapter of Bruce Wayne's journey as Batman. (08:48) - Gotham's Reckoning - Character - Ending the Knight ## The filmmakers reflect on their reinvention of Bane and all the elements that went into making him Batman's most lethal adversary. (10:01) - A Girls Gotta Eat - Character - Ending the Knight ## The filmmakers discuss the challenge of bringing an iconic character to life, detailing the acting choices, fashion, stunts, and Selina Kyle and her tactical-ego, Catwoman. (09:22) Reflections - Shadows & Light in Large Format - Reflections - Ending the Knight ## Discover the philosophy and methodology of capturing The Dark Knight Rises on the grand canvas of Imax¢â film. (05:32) - The End of A Legend- Reflections - Ending the Knight ## The filmmakers give their final thoughts on working on The Dark Knight Rises and what it was like to be a part of The Dark knight legend. (09:09) Trailers - Trailer Archive - Play All (00:01) - Trailer 1 - Trailer Archive (01:33) - Trailer 2 - Trailer Archive (02:10) - Trailer 3 - Trailer Archive (02:19) - Trailer 4 - Trailer Archive (02:18) Art Galleries - Print Campaign Art Gallery ## 31 Count (00:01)
Special Contents
¡á °¨µ¶ : Å©¸®½ºÅäÆÛ ³î¶õ (Christopher Nolan)7»ì ¶§ ¿µÈ¸¦ Âï±â ½ÃÀÛÇÏ¿© 19»ìÀÌ´ø 1989³â, 8§® ÃÊÇö½ÇÁÖÀÇ ´ÜÆí¿µÈ <Ÿ¶õÅÚ¶ó>¸¦ ½ÃÀÛÀ¸·Î ´ÜÆí¿µÈ <µµµÏÁú>ÀÌ Ä·ºê¸®Áö¿µÈÁ¦¿¡¼ »ó¿µµÇ¾ú°í, 1998³â <¹ÌÇà>À¸·Î ÀåÆí¿µÈ¿¡ µ¥ºßÇÏ¿´´Ù. Àϳ⠰£ ÁÖ¸»¿¡¸¸ °Ô¸±¶ó ¹æ½ÄÀ¸·Î ÃÔ¿µÇÑ ÀÌ ¿µÈ´Â Åä·ÐÅ俵ÈÁ¦, ·ÎÅ׸£´ã¿µÈÁ¦, ½½·¥´í½º¿µÈÁ¦ µî ±¹Á¦ ¿µÈÁ¦¿¡¼ Å« È£ÆòÀ» ¹Þ¾Ò´Ù. ºÒ¸é°ú ±â¾ï, ½É¸®¿¡ °üÇÑ Å¹¿ùÇÑ °íÂûÀÌ µ¸º¸ÀÌ´Â <¸Þ¸àÅä>¿Í <Àνæ´Ï¾Æ>·Î Àü ¼¼°èÀÇ ÁÖ¸ñÀ» ¹Þ°Ô µÇ¾ú´Ù. ƯÈ÷ <¸Þ¸àÅä>´Â 2000³â ¾ÆÄ«µ¥¹Ì¿Í °ñµç±Û·Îºê ½Ã³ª¸®¿À ºÎ¹®¿¡ ³ë¹Ì³×ÀÌÆ®µÇ¾úÀ¸¸ç, ¼±´í½º¿µÈÁ¦ °¢º»»ó, ½ÃÄ«°í ºñÆò°¡ Çùȸ»ó, LA ºñÆò°¡ Çùȸ»ó°ú ¹æ¼Û, ¿µÈ ºñÆò°¡Çùȸ°¡ ¼±Á¤ÇÑ ÃÖ°íÀÇ ¿µÈ·Î ¼±Á¤µÇ¾ú´Ù. 2003³â ·±´ø¿µÈºñÆò°¡Çùȸ ¿ÃÇØÀÇ °¨µ¶À¸·Î ¼±Á¤µÇ¾ú´Ù. <¹èÆ®¸Ç ºñ±äÁî>¿Í <´ÙÅ©³ªÀÌÆ®>·Î ºí·Ï¹ö½ºÅÍ¿¡¼µµ Ź¿ùÇÑ Àç´ÉÀÌ ÀÖÀ½À» ¼¼°è¿¡ ¾Ë·È´Ù. ¡á Ã⿬ : Å©¸®½ºÂù º£ÀÏ (Christian Bale)13»ì ¾î¸° ³ªÀÌ¿¡ 4000¿©¸íÀÇ ¾ÆÀ̵éÀ» ¿Àµð¼Ç¿¡¼ Á¦Ä¡°í ½ºÆ¼ºì ½ºÇʹö±× °¨µ¶ÀÇ ´ëÀÛ <žçÀÇ Á¦±¹>¿¡¼ ¿µ±¹ÀÎ ¼Ò³â ÁüÀ¸·Î ½ºÅ©¸°¿¡ óÀ½ ¼Ò°³µÇ¸ç ºñÆò°¡¿Í °ü°´À¸·ÎºÎÅÍ ±ØÂùÀ» ¹Þ¾Ò´Ù. Æò¹üÇß´ø ¼Ò³âÀÇ ´«À» ÅëÇØ 2Â÷ ´ëÀüÀ» ¹¦»çÇß´ø ÀÌ ¿µÈ ¿Ü¿¡µµ ±×´Â <ÀÛÀº ¾Æ¾¾µé>¿¡¼ À§³ë³ª ¶óÀÌ´õ¸¦ »ç¶ûÇÏ´Â ·Î¸ÇƽÇÑ ·Î¸® ¿ªÀ¸·Î ºÐÇØ ¼ö¸¹Àº ¿©¼ºÆÒµéÀ» È®º¸Çß´Ù. ÀÌÈÄ Å©¸®½ºÂù º£ÀÏÀº <¾Æ¸Þ¸®Ä ½ÎÀÌÄÚ>¿¡¼ Æмǿ¡ ÁýÂøÇÏ´Â ¿¬¼â»ìÀιü ¿ªÇÒÀ» ȯ»óÀûÀ¸·Î ¿¬±âÇØ ÀÏ¾à ½ºÅ¸·Î µî±ØÇßÀ¸¸ç °¢Á¾ ºñÆò°¡ Çùȸ·ÎºÎÅÍ ³²¿ìÁÖ¿¬»ó Èĺ¸¿¡ Áö¸íµÆ´Ù. <ÀÌÄ÷¸®ºê¸®¾ö> µîÀÇ ¿µÈ¿¡¼´Â ½ºÅÏÆ®¸Çµéº¸´Ù ¶Ù¾î³ ¾×¼Ç ¿¬±â¿Í ¿Ïº®ÇÏ°Ô ´ÙÁ®Áø ¸ö¸Å·Î È£ÆòÀ» ¹Þ¾Ò´Ù. ÀÌó·³ ´Ù¾çÇÑ Ä³¸¯Å͸¦ ÀÚÀ¯ÀÚÀç·Î ¼ÒÈÇس»´Â ÀÌ ³î¶ó¿î ¹è¿ì´Â Ã⿬ÇÏ´Â ¿µÈ¸¶´Ù °¡°øÇÒ¸¸ÇÑ ¿¬±â·ÂÀ» º¸¿©ÁÖ°í ÀÖ´Ù. ¿µÈ ÀÚü´Â ³í¶õÀÌ µÇ´õ¶óµµ Å©¸®½ºÂù º£ÀÏÀÇ ¿¬±â·Â¿¡´Â ¸ðµÎ°¡ ÀÇ°ß ÀÏÄ¡¸¦ º¸°í ÀÖ´Â °Í. 2000³â ¿µÈ¹è¿ì ½Ãºñ ºí¶óÁ÷°ú °áÈ¥ÇØ Ç渮¿ìµåÀÇ Àײ¿ºÎºÎÀÇ ¸ð½ÀÀ» º¸¿©ÁÖ°í ÀÖ´Â ÀÌ Ä«¸á·¹¿Â °°Àº ¹è¿ì´Â µ¿¹° ¾ÖÈ£°¡, ȯ°æ ¿îµ¿°¡·Î È°¾àÇÏ´Â »çȸ Âü¿©¿¡ Àû±ØÀûÀÎ ¹è¿ìÀÌ´Ù. <3:10 Åõ À¯¸¶>¿¡¼´Â °¡Á·À» À§ÇØ ¸ñ¼ûÀ» °Ç ÀÓ¹«¸¦ ¼öÇàÇÏ°Ô µÇ´Â Çå½ÅÀûÀÎ °¡ÀåÀ¸·Î º¯½ÅÇÏ¿© ÀÌ ½Ã´ë ³²ÀÚµéÀÌ ¹Ù¶ó´Â ÃÖ°íÀÇ ¾Æ¹öÁö»óÀ» ±×¸®°í ÀÖ´Ù. ±×´Â <3:10 Åõ À¯¸¶> ¿Ü¿¡µµ <´ÙÅ©³ªÀÌÆ®>, <Å͹̳×ÀÌÅÍ4>ÀÇ ÁÖ¿¬ µî 2008³âÀº Å©¸®½ºÂù º£ÀÏÀÇ Çضó°í Çصµ °ú¾ðÀÌ ¾Æ´Ò Á¤µµ·Î ÇÒ¸®¿ìµå¿¡¼ °¡Àå ÁÖ¸ñÇÏ´Â ¹è¿ìÀÌ´Ù
»óÈ£¸í:Çϳª±¸¹Ì Ent. | ´ëÇ¥ÀÚ:ÀÌ»óÁö | »ç¾÷ÀÚµî·Ï¹øÈ£:540-23-00808 540-23-00808 | Åë½ÅÆǸž÷¹øÈ£:Á¦ 2018-¼¿ïÁ߶û-0756È£ ÁÖ¼Ò:¼¿ï½Ã Á߶û±¸ ¿ë¸¶»ê·Î 405 (¸é¸ñµ¿) 302È£ | tel:070-8690-2030 °³ÀÎÁ¤º¸º¸È£Ã¥ÀÓ:±èµÎźÎÀå | E-mail | Copyright¨ÏPeysia all rights reserved