¡ß Á¦ ¸ñ : [ºí·ç·¹ÀÌ] ´ÙÅ©³ªÀÌÆ® ¶óÀÌÁî ¡ß ¿ø Á¦ : The Dark Knight Rises ¡ß Á¦ ÀÛ : ¿ö³Êºê¶ó´õ½º ¡ß Àå ¸£ : ¾×¼Ç, ½ºÆ¿·¯, ¹üÁË ¡ß °¨ µ¶ : Å©¸®½ºÅäÆÛ ³î¶õ ¡ß ÁÖ ¿¬ : Å©¸®½ºÃ® º£ÀÏ, Åè Çϵð, °Ô¸® ¿Ãµå¸¸, ¸¶ÀÌŬ ÄÉÀÎ, ¾Ø ÇØ¼¿þÀÌ ¡ß µî ±Þ : 15¼¼ÀÌ»ó °ü¶÷°¡ ¡ß ½Ã °£ : 164ºÐ ¡ß È ¸é : 2.40:1 (16x9 LB) ¡ß À½ Çâ : DTS-HDMA 5.1; ¿µ¾î, Dolby Digital 5.1; ¿µ¾îADS ¡ß ÀÚ ¸· : Çѱ¹¾î, ¿µ¾îSDH, Áß±¹¾î, ±¤µ¿¾î, ½ºÆäÀξî(Spanish-Castilian), µ§¸¶Å©¾î, ³×´ú¶õµå¾î, Çɶõµå¾î, Àεµ³×½Ã¾Æ¾î ¡ß ÄÚ µå : A ¡ß Ã⠽à : 2014.05.23 |
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¡á Issue Point
¢º Àü¼¼°è À¯ÀÏ ÇÁ·¹½ºÆ¼Áö ÄÝ·º¼Ç: ºí·¢°ú ÈÀÌÆ®ÀÇ Àý¹¦ÇÑ Á¶È¸¦ º¸ÀÌ´Â »õ·Î¿î ÄÉÀ̽º·Î ¸¸³ª´Â ´ÙÅ©³ªÀÌÆ®¶óÀÌÁî ¢º ÀÏÂïºÎÅÍ 2012³â 3´ë ±â´ëÀÛÀ¸·Î ²ÅÇû´ø ¿µÈ!: 2012½ÃÁð Àüü¸¦ ÅëÆ²¾î °¡Àå Å« ÈÁ¦¸¦ ¸ðÀº ÀÛǰ! ¢º ½ÇÃø¸ðÇüÀ¸·Î Á¦ÀÛµÈ ¹èÆ®¸ÇÀÇ ºñÇà À̵¿ ¼ö´ÜÀÎ '´õ ¹èÆ®', 'ÅÒºí·¯' µîÀ» ºñ·ÔÇÑ ´õ¿í ¾÷±×·¹ÀÌµç µÈ ½Å¹«±â ¢º »ó»óÀ» ÃÊ¿ùÇÏ´Â ºñÇà±â ÇÏÀÌÀçÅ· Àå¸é, Â÷·Ê·Î ¹«³ÊÁö´Â Çö¼ö±³¿Í ¹Ì½ÄÃ౸ °æ±âÀåÀÇ ºØ±«, 1000¿©¸íÀÇ ¿¢½ºÆ®¶ó°¡ µ¿¿øµÈ °í´ã½Ã µµ½É¿¡¼ÀÇ Áý´Ü °ÝÅõ µîÀÇ ÃÊ´ëÇü ½ºÄÉÀÏ: ¸ðÇüÀÌ ¾Æ´Ñ ½ÇÁ¦·Î ¹Ì½ÄÃ౸ °æ±âÀåÀ» ÆøÆÄ ¢º ÀμÁ¼Ç°ú ´ÙÅ©³ªÀÌÆ®¿¡¼µµ À½¾ÇÀ» ¸Ã¾Ò´ø Çѽº Áü¸ÓÀÇ À½¾ÇÀ¸·Î ´õ¿í ¿õÀåÇÑ ½ºÄÉÀÏÀ» ÀÚ¶ûÇÑ´Ù. ¢º ºí·ç·¹ÀÌ¿¡¸¸ »ðÀÔµÈ ´ÙÅ©³ªÀÌÆ®¶óÀÌÁî ¾Û: ´ÙÅ©³ªÀÌÆ®¶óÀÌÁî ÀÌ ¾ÆÀÌÆù, ¾ÆÀÌÆÐµå, °¶·°½Ã S2, S3, ³ëÆ®, ³Ø¼½º, °¶·°½Ã ÅÇ¿ëÀ¸·Î Ãâ½ÃµÇ¾î, ¾ÆÀÌÆªÁî¿Í ±¸±Û Ç÷¹ÀÌ¿¡¼ ¹«·á·Î ´Ù¿î¹ÞÀ» ¼ö ÀÖ´Ù. 10¿ù ¸» ù¹øÂ° ¾÷µ¥ÀÌÆ®°¡ µÇ¸é, Èï¹Ì·Î¿î Æ÷Åä ¹× ºñµð¿À ¾ÖÇø®ÄÉÀÌ¼Ç ±â´ÉÀÌ Ãß°¡µÇ¸ç, 11¿ù 28ÀÏ ÀÌÈÄ ÁøÇàµÇ´Â µÎ¹øÂ° ¾÷µ¥ÀÌÆ®¿¡¼´Â ºí·ç·¹ÀÌ µð½ºÅ©¿Í ½ÌÅ©µÇ¾î¼, ³×Æ®¿öÅ©¿¡ ¿¬°áµÇ´Â ºí·ç·¹ÀÌ Ç÷¹À̾¼ ¸ð¹ÙÀÏ ±â±â·Î Ưº°ÇÑ º¸³Ê½º ÄÁÅÙÃ÷-°í´ã ½ÃƼ Áöµµ, ¿µÈ °ü·Ã ÄûÁî, Æ÷Åä °¶·¯¸®, ¸ÞÀÌÅ· Çʸ§-¿¡ Á¢±ÙÇÒ ¼ö ÀְԵȴÙ. ÀÌ ¾ÛÀ» ÀÌ¿ëÇØ¼ ºí·ç·¹ÀÌ µð½ºÅ©ÀÇ Ç÷¹À̸¦ Á¶ÀýÇÒ ¼öµµ ÀÖ´Ù.
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¡á Disc 1 - Second Screen ## Sync with The Dark Knight Rises app for exclusive content - (Up to 18 minutes of hidden "Flickable" content on disc 1)
¡á Disc 2 - "THE BATMOBILE" DOCUMENTARY: 5´ëÀÇ ¹èÆ®¸ð¹ÙÀÏÀ» ÇѲ¨¹ø¿¡ º¼ ¼ö ÀÖ´Â ½ºÆä¼È ÇÇÃÄ. ¹èÆ®¸ÇÀÇ º´±âÀÇ ¸ðµç ¸é¿¡ ´ëÇÑ ¼¼¼¼ÇÑ ¸®Æ÷Æ® ¹× ±× ź»ý°ú ÁøÈÀÇ À̾߱â. (The Batmobile ## Witness all five Batmobiles together for the first time in history. Dive deep into every aspects of the most awe-inspirinnacle of technology as the most awe-inspiring weapon in Birth and evolution of this technological marvel and cultural icon.) (60:05)
ENDING THE KNIGHT (Production + Characters + Reflections): Å©¸®½ºÅäÆÛ ³î¶õ °¨µ¶°ú ±×ÀÇ Á¦ÀÛÆÀÀÌ ¾î¶»°Ô ´ÙÅ©³ªÀÌÆ® ½Ã¸®ÁîÀÇ Á¾°áÆíÀÎ "´ÙÅ©³ªÀÌÆ®¶óÀÌÁî"¸¦ ¸¸µé°Ô µÇ¾ú´ÂÁö¿¡ ´ëÇÑ ½ºÆä¼È ÇÇÃÄ
Production - The Prologue: High-Altitude Hijacking- Production - Ending t he Knight ## See how Christopher Nolan and his filmmaking team staged the film's high-flying opening sequence featuring footage from the aerial and model units. (07:48) - Return to the Batcave- Production - Ending the Knight ## Witness the reconstruction of the Batcave with time-lapse photography along with interviews and commentary from the construction crew and filmmakers. (03:33) - Beneath Gotham- Production - Ending the Knight ## Director Christopher Nolan and the production designers discuss the design and build of Bane's lair. (02:29) - The Bat - Production - Ending the Knight ## Director Christopher Nolan gives Batman a new mode of transportation in The Dark Knight Rises. Learn what went into the design and construction of the Dark Knight's new vehicle and how a combination of special effects, visual effects, and sound engineering were used to realistically sell the illus. (11:03) - Batman vs Bane - Production - Ending the Knight ## The filmmakers and actors reveal how they planned and shot t he epic fight sequence between Batman and Bane. (06:05) - Armory Accepted - Production - Ending the Knight ## See how special effects and a miniature unit were used to simulate the demolition drop of the Tumbler through the ceiling of Bane's lair. (03:15) - Gameday Destruction - Production - Ending the Knight ## The filmmakers describe the production plan that went into executing the jaw-dropping demolition sequence at Gotham Stadium. (06:39) - Demolishing a City Street - Production - Ending the Knight ## Learn how a series of practical special effects were used to simulate the complete destruction of a city street. (04:11) - The Pit - Production - Ending the Knight ## The filmmakers explain the design and construction of two giant, vertical sets: the underground prison and the well, where all the climbing stunts were performed. (03:00) - The Chant - Production - Ending the Knight ## Christopher Nolan and Hans Zimmer discuss the creation of the chant that formed the basis of the score's Bane suites. (05:15) - The War on Wall Street - Production - Ending the Knight ## Get a glimpse behind the coordination and production of the epic battle for Gotham City that involved a thousand extra s engaged in hand-to-hand combat on New York City's Wall Street.. (06:36) - Race to the Reactor - Production - Ending the Knight ## Watch how the filmmakers orchestrated the film's climactic chase sequence with multiple Tumblers, the Batpod, and the hi gh-flying Bat racing down the streets of Pittsburgh and Los Angeles. (07:48)
Characters - The Journey of Bruce Wayne - Character - Ending the Knight ## Get insight into story and thematic choices that structured the final chapter of Bruce Wayne's journey as Batman. (08:48) - Gotham's Reckoning - Character - Ending the Knight ## The filmmakers reflect on their reinvention of Bane and all the elements that went into making him Batman's most lethal adversary. (10:01) - A Girls Gotta Eat - Character - Ending the Knight ## The filmmakers discuss the challenge of bringing an iconic character to life, detailing the acting choices, fashion, stunts, and Selina Kyle and her tactical-ego, Catwoman. (09:22) Reflections - Shadows & Light in Large Format - Reflections - Ending the Knight ## Discover the philosophy and methodology of capturing The Dark Knight Rises on the grand canvas of Imax¢â film. (05:32) - The End of A Legend- Reflections - Ending the Knight ## The filmmakers give their final thoughts on working on The Dark Knight Rises and what it was like to be a part of The Dark knight legend. (09:09)
Trailers - Trailer Archive - Play All (00:01) - Trailer 1 - Trailer Archive (01:33) - Trailer 2 - Trailer Archive (02:10) - Trailer 3 - Trailer Archive (02:19) - Trailer 4 - Trailer Archive (02:18) Art Galleries - Print Campaign Art Gallery ## 31 Count (00:01) |
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¡á °¨µ¶ : Å©¸®½ºÅäÆÛ ³î¶õ (Christopher Nolan)
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Synopsis |
¡á Issue Point
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| Special Features |
¡á Strong Characters, Legendary Roles-Explore the legendary roles of the Superman canon and how they have evolved in this new iteration of the Superman story. (25:53): ½´ÆÛ¸ÇÀÇ ÀǹÌ, ij¸¯ÅÍÀÇ Æ¯¼º, 75³â µ¿¾ÈÀÇ ¹®È¾ÆÀÌÄÜÀÎ ½´ÆÛ¸Ç ¡á All-Out Action-The action in Man of Steel soars to new heights with a level of realism never before seen in a super hero film. (25:57): ÃÖ°ÀÇ ¾×¼ÇÀ» Á¦ÀÛÇÏ´Â °úÁ¤ ¡á Krypton Decoded-Dylan Sprayberry (Clark Kent, age 13), gives the lowdown on all the amazing Kryptonian tech, weapons and spaceships featured in Man of Steel. (06:37): Å©¸³ÅæÀÇ ±â¼ú ¡áSuperman75th Anniversary Animated Short (01:30) ¡á New Zealand: Home of Middle Earth (Legal Restriction - See Notes)-Required on all feature discs including Rental and Retail Exclusives that have the feature on it. (06:30)
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| Special Contents |
¡á °¨µ¶ : Àè ½º³ªÀÌ´õ (Zack Snyder)
µÎ ¹øÀÇ Å¬¸®¿À »ó°ú Ä ±¹Á¦±¤°íÁ¦ Ȳ±Ý»çÀÚ»óÀ» ¼ö»óÇÑ µ¥ ÀÌ¾î ·±´ø ±¤°í Ä¿¹Â´ÏƼ¿¡¼ ÀÛǰ»óÀ», ±×¸®°í ¡®British Communication Arts Magazine¡¯¿¡¼ °¡Àå À¯´ÉÇÑ ±¤°í °¨µ¶ Áß ÇÑ ¸íÀ¸·Î Æò°¡ ¹ÞÀ¸¸ç ±¤°í°è¿¡¼ ±× ½Ç·ÂÀ» ÀÎÁ¤¹ÞÀº ¹Ù ÀÖ´Â Àè ½º³ªÀÌ´õ °¨µ¶. ±×´Â Á¶Áö ·Î¸Þ·Î °¨µ¶ÀÇ ´ëÇ¥ÀûÀÎ Á»ºñ ¿µÈ¸¦ ¸®¸ÞÀÌÅ©ÇÑ µ¥ºßÀÛ <»õº®ÀÇ ÀúÁÖ>·Î Àü¼¼°è 1¾ï ´Þ·¯ ÀÌ»óÀÇ ¼öÀÍÀ» ¿Ã¸®¸ç ÈïÇà¿¡ ¼º°øÇßÀ» »Ó ¾Æ´Ï¶ó, ¼¼·ÃµÇ°í °¨°¢ÀûÀÎ ¿¬Ãâ·ÂÀ¸·Î ¿øÀÛÀ» ´É°¡ÇÏ´Â ÀÛǰÀ» ¿Ï¼º½ÃÄ״ٴ ȣÆò°ú ´õºÒ¾î Ä ¿µÈÁ¦ ºñ°æÀï ºÎ¹®¿¡ ÃÊûµÇ´Â µî ÇÒ¸®¿ìµåÀÇ ½Å¿¹ °¨µ¶À¸·Î »õ·Ó°Ô ±ÞºÎ»óÇϱ⠽ÃÀÛÇß´Ù.
±×¿¡ À̾î ÇÁ·©Å© ¹Ð·¯ÀÇ ±×·¡ÇÈ ³ëºíÀ» ¿µÈÈÇÑ <300>À¸·Î Æò´Ü°ú °ü°´ ¸ðµÎ¸¦ »ç·ÎÀâÀ¸¸ç 4¾ï 5õ ´Þ·¯ ÀÌ»óÀÇ ÈïÇà ¼öÀͰú ÇÔ²² Àü¼¼°èÀûÀ¸·Î ¶ß°Å¿î ÈÁ¦¸¦ ºÒ·¯¸ð¾Ò´Ù. ±×¸®°í 2009³â, ¸ðµÎ°¡ ¿µÈÈÇÒ ¼ö ¾øÀ» °ÍÀÌ¶ó ¿©°å´ø ºÒ°¡´ÉÀÇ ÇÁ·ÎÁ§Æ® <¿ÓÄ¡¸Ç>À» ¿µÈÈÇÑ Àè ½º³ªÀÌ´õ °¨µ¶Àº ¿øÀÛ¿¡ ´ëÇÑ Ãæ½ÇÇÑ ÇØ¼®¿¡ ƯÀ¯ÀÇ ½ºÆåÅÍŬÇÑ ¾×¼Ç°ú °·ÄÇÑ ¿µ»ó¹Ì¸¦ ´õÇØ <300>À» ´É°¡ÇÏ´Â Ãæ°ÝÀûÀÎ ¿µ»óÇõ¸íÀ» ¼±º¸¿´´Ù. ¡á Ã⿬ : ¿¡ÀÌ¹Ì ¾Ö´ý½º (Amy Adams)
·¯¼¿ Å©·ÎÀÇ º»¸íÀº ·¯¼¿ ¾ÆÀ̶ó Å©·ÎÀ̸ç, ´ºÁú·£µåÀÇ À£¸µÅÏ¿¡¼ ž¼ ¿À½ºÆ®·¹Àϸ®¾Æ¿¡¼ ÀÚ¶ú´Ù. 1992³â <ÀÌÀ¯¾ø´Â ¹ÝÇ×>À» ÅëÇØ ÁÖ¸ñÀ» ¹Þ°í ÀÌÈÄ <ÀλçÀÌ´õ>, <±Û·¡µð¿¡ÀÌÅÍ>, <ºäƼǮ ¸¶Àεå>, <¸¶½ºÅÍ ¾Øµå Ä¿¸Çµå> µîÀ¸·Î ¿¬¼ÓÇØ¼ ¾ÆÄ«µ¥¹Ì ³²¿ìÁÖ¿¬»ó Èĺ¸¿¡ ¿À¸¥ ¿¬±âÆÄ ¹è¿ì.
ȸ鿡¼ ÁÖ·Î º¸ÀÌ´Â ÅÍÇÁÇÑ ³²ÀÚÀÇ ¸ð½ÀÀº ´Ü¼øÇÑ À̹ÌÁö°¡ ¾Æ´Ï¶ó ½ÇÁ¦ ·¯¼¿ Å©·Î¿ì¿Íµµ »óÅëÇÑ´Ù. ±×´Â Åü¸í½º·´°í °ú°ÝÇϰí Á÷¼³ÀûÀ̶ó ±âÀÚ³ª °¨µ¶µéÀÌ ´Ù·ç±â ½±Áö ¾ÊÀº °ÍÀ¸·Î À¯¸íÇÏ´Ù. ÇÏÁö¸¸ ±×´Â ´©±¸º¸´Ùµµ ¶Ù¾î³ ÁýÁß·ÂÀ¸·Î ¸ÃÀº ¿ªÇÒ¿¡ ¸ôÀÔÇÏ¿© ¿Ïº®ÇÑ ¿¬±â·Î ¿¹ÀǸ¦ ´ÙÇÏ´Â ¿¬±âÆÄ ¹è¿ìÀÌ´Ù. ±×´Â, ´ÜÁö ´ëÀÛÀÇ ÁÖÀΰøÀ̱⠶§¹®ÀÌ ¾Æ´Ï¶ó °ÀÎÇÑ Åõ»ç <±Û·¡µð¿¡ÀÌÅÍ>ºÎÅÍ Á¤½ÅÁúȯÀ¸·Î ¹æÈ²ÇÏ´Â ¼öÇÐÀÚ <ºäƼǮ ¸¶Àεå>±îÁö ¼··ÆÇس½ ¿¬±â·Â ¶§¹®¿¡ ºí·Ï¹ö½ºÅÍ±Þ ¹è¿ìÀÎ °ÍÀÌ´Ù.
2004³â¿¡ ±×´Â µ¿Çâ Ãâ½ÅÀÇ ´ÏÄÝ Å°µå¸Õ°ú ÇÔ²² È£ÁÖÀÇ '»ì¾ÆÀÖ´Â ±¹º¸'·Î ¼±Á¤µÆ´Ù. È£ÁÖ±¹°¡ÀÚ¹®´Ü(NTA)ÀÌ 1997³â Àΰ£ ±¹º¸ 100ÀÎÀ» óÀ½ ¼±Á¤ÇÑ ÀÌÈÄ »ç¸ÁÇÑ 15ÀÎÀÇ ±¹º¸¸¦ ´ëüÇϱâ À§ÇØ ¼ö õ ¸íÀÇ Áö¸íÀ» ¹Þ¾Æ »õ ±¹º¸·Î »ÌÀº »ç¶÷µé ¼Ó¿¡ ±× µÑÀÌ Æ÷ÇÔµÈ °ÍÀÌ´Ù. ÀÌ »ì¾ÆÀÖ´Â ±¹º¸µé¿¡ ´ëÇØ »ýÁ¸±¹º¸À§¿øÈ¸(LNTC) À§¿øÀå ¸¶ÀÌŬ º¼Àº "´Ù¾çÇÑ ºÐ¾ß¸¦ ÅëÇØ À§´ëÇÑ ¾÷ÀûÀ» ÀÌ·èÇÏ°í ¿ì¸® »çȸÀÇ °³¼±À» À§ÇØ °è¼Ó ¿µÇâÀ» ¹ÌÄ¡°í ÀÖ´Â ±×µéÀ» ±â¸± °Í"À̶ó°í µ¡ºÙ¿´´Ù
¡á Ã⿬ : Ç Ä«ºô (Henry Cavill)
¿µ±¹ ¿Õ½Ç ¼Ó·É ä³Î ¾ÆÀÏ·£µå(ä³Î Á¦µµ) Ãâ½Å. 2001³â ¿µÈ ¡®¶ó±¸³ª¡¯·Î µ¥ºßÇÑ Ç Ä«ºôÀº µå¶ó¸¶ ¡®Æ©´õ½º¡¯, ¿µÈ ¡®ºí·¯µå Å©¸¯¡¯, ¡®ÀÌ¸ðÆ²½º¡¯ µî¿¡ Ã⿬ÇßÀ¸¸ç 2012³â °³ºÀ ¿¹Á¤ÀÎ ½´ÆÛ¸Ç 6¹øÂ° ½Ã¸®Áî ¡®½´ÆÛ¸Ç: ¸Ç ¿Àºê ½ºÆ¿¡¯¿¡ ÁÖÀΰø Ŭ¶ô ÄËÆ® ¿ªÀ¸·Î ij½ºÆÃµÆ´Ù. | |